{"id":2339,"date":"2023-08-21T12:35:11","date_gmt":"2023-08-21T10:35:11","guid":{"rendered":"https:\/\/www.laradiloy.com\/lara-diloy-la-batuta-de-los-nuevos-tiempos\/"},"modified":"2023-08-21T16:41:27","modified_gmt":"2023-08-21T14:41:27","slug":"lara-diloy-la-batuta-de-los-nuevos-tiempos","status":"publish","type":"post","link":"https:\/\/www.laradiloy.com\/en\/lara-diloy-la-batuta-de-los-nuevos-tiempos\/","title":{"rendered":"Lara Diloy, the baton of new times"},"content":{"rendered":"<div class=\"gb-container gb-container-6271e440\"><div class=\"gb-inside-container\">\n\n<h2 class=\"gb-headline gb-headline-6e75d0ea gb-headline-text\"><a href=\"https:\/\/www.elmundo.es\/madrid\/2023\/03\/06\/64034532e4d4d8a7728b45cc.html\" target=\"_blank\" rel=\"noreferrer noopener\">Lara Diloy, the baton of new times<\/a><\/h2>\n\n\n\n<p>Instruments were raffled off to newcomers and there were hardly any left. <strong>Lara Diloy<\/strong> (Madrid, 1986), at the age of seven, was given a french horn and, if today she is celebrated as a horn player, it will be said that it was a blessed coincidence. But there are suspicions that she would have prospered regardless of the instrument. Because she had previously been given a Casio keyboard, and the tadpole could play songs by ear. That&#8217;s why her parents took her to the <strong>Manuel de Falla Conservatory in Alcorc\u00f3n<\/strong>, in search of an extracurricular programme to suit the little girl&#8217;s tastes. Without much ambition or background: her father, now retired, was a primary school teacher and her mother works in the city council. But the daughter, from that day onwards, has been working her way to the top.<\/p>\n\n\n\n<p>At the age of 16, she had already started her higher education and still had one year to go when she began to think about becoming an orchestra conductor. &#8220;In an ensemble, you depend on others. As a conductor you are a transmitter and promoter&#8221;. Lara is such an exception that last year she joined the exclusive group of women who have conducted a lyric performance at the Teatro de la Zarzuela, like <strong>Mar\u00eda Rodrigo<\/strong> (1915), <strong>Montserrat Font<\/strong> (2008) or <strong>Yi-Chen Lin <\/strong>(2014). On 12 May 2022 he took musical command of Alcal\u00e1&#8217;s Don Gil, because the titular conductor, Lucas Mac\u00edas, was unable to attend. Another coincidence? No, talent that thrives.<\/p>\n\n\n\n<p>He began this season 22-23 conducting the <strong>Orquesta Sinf\u00f3nica del Principado de Asturias<\/strong>, and today, this Tuesday, he returns to the <strong>Teatro de la Zarzuela<\/strong> with the <strong>Orquesta Sinf\u00f3nica de la Comunidad de Madrid<\/strong>. Everyone who comes is going to enjoy it,&#8221; guarantees Lara, who offers Falla&#8217;s El sombrero de tres picos as the attraction of a concert on the eve of 8-M. &#8220;In Spain, the incorporation of women into the Spanish cultural life has been a major challenge for women. &#8220;In Spain, the incorporation of women is going faster&#8221;, she celebrates, alluding to the almost 50% of women in orchestras.<\/p>\n\n\n\n<p>This Madrid-born woman never felt &#8220;belittled for being a woman or that it was a barrier&#8221;, and sums up: &#8220;There are no more difficulties in my profession than there really are in society, which there are&#8221;.<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.elmundo.es\/madrid\/2023\/03\/06\/64034532e4d4d8a7728b45cc.html\" target=\"_blank\" rel=\"noreferrer noopener\">>> Read the full article in El Mundo<\/a><\/strong><\/p>\n\n\n\n<figure class=\"wp-container-2 wp-block-gallery-1 wp-block-gallery aligncenter has-nested-images columns-default is-cropped\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"500\" height=\"385\" src=\"https:\/\/www.laradiloy.com\/wp-content\/uploads\/2023\/08\/Lara-Diloy-ORCAM-Teatro-Zarzuela-2-500x385.jpg\" alt=\"\" class=\"wp-image-2316\" srcset=\"https:\/\/www.laradiloy.com\/wp-content\/uploads\/2023\/08\/Lara-Diloy-ORCAM-Teatro-Zarzuela-2-500x385.jpg 500w, https:\/\/www.laradiloy.com\/wp-content\/uploads\/2023\/08\/Lara-Diloy-ORCAM-Teatro-Zarzuela-2-300x231.jpg 300w, https:\/\/www.laradiloy.com\/wp-content\/uploads\/2023\/08\/Lara-Diloy-ORCAM-Teatro-Zarzuela-2-768x591.jpg 768w, https:\/\/www.laradiloy.com\/wp-content\/uploads\/2023\/08\/Lara-Diloy-ORCAM-Teatro-Zarzuela-2.jpg 1200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"500\" height=\"365\" src=\"https:\/\/www.laradiloy.com\/wp-content\/uploads\/2023\/08\/Lara-Diloy-ORCAM-Teatro-Zarzuela-1-500x365.jpg\" alt=\"\" class=\"wp-image-2314\" srcset=\"https:\/\/www.laradiloy.com\/wp-content\/uploads\/2023\/08\/Lara-Diloy-ORCAM-Teatro-Zarzuela-1-500x365.jpg 500w, https:\/\/www.laradiloy.com\/wp-content\/uploads\/2023\/08\/Lara-Diloy-ORCAM-Teatro-Zarzuela-1-300x219.jpg 300w, https:\/\/www.laradiloy.com\/wp-content\/uploads\/2023\/08\/Lara-Diloy-ORCAM-Teatro-Zarzuela-1-768x560.jpg 768w, https:\/\/www.laradiloy.com\/wp-content\/uploads\/2023\/08\/Lara-Diloy-ORCAM-Teatro-Zarzuela-1.jpg 1200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/figure>\n<\/figure>\n\n\n\n<p><\/p>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Lara is such an exception that last year she joined the exclusive group of women who have conducted a lyric performance at the Teatro de la Zarzuela, like Mar\u00eda Rodrigo (1915), Montserrat Font (2008) or Yi-Chen Lin (2014). On 12 May 2022 he took musical command of Alcal\u00e1&#8217;s Don Gil, because the titular conductor, Lucas Mac\u00edas, was unable to attend. Another coincidence? No, talent that thrives.<\/p>\n","protected":false},"author":1,"featured_media":2315,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[105],"tags":[],"_links":{"self":[{"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/posts\/2339"}],"collection":[{"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/comments?post=2339"}],"version-history":[{"count":1,"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/posts\/2339\/revisions"}],"predecessor-version":[{"id":2341,"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/posts\/2339\/revisions\/2341"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/media\/2315"}],"wp:attachment":[{"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/media?parent=2339"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/categories?post=2339"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/tags?post=2339"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}