{"id":2512,"date":"2025-04-12T08:32:28","date_gmt":"2025-04-12T06:32:28","guid":{"rendered":"https:\/\/www.laradiloy.com\/lara-diloy-regresa-al-teatro-de-la-zarzuela\/"},"modified":"2025-04-12T18:23:06","modified_gmt":"2025-04-12T16:23:06","slug":"lara-diloy-regresa-al-teatro-de-la-zarzuela","status":"publish","type":"post","link":"https:\/\/www.laradiloy.com\/en\/lara-diloy-regresa-al-teatro-de-la-zarzuela\/","title":{"rendered":"Lara Diloy returns to Teatro de la Zarzuela"},"content":{"rendered":"<div class=\"gb-container gb-container-6271e440\"><div class=\"gb-inside-container\">\n\n<h2 class=\"gb-headline gb-headline-6e75d0ea gb-headline-text\">Lara Diloy returns to Teatro de la Zarzuela<\/h2>\n\n\n\n<div class=\"wp-container-3 wp-block-columns\">\n<div class=\"wp-container-1 wp-block-column\" style=\"flex-basis:66.66%\">\n<p>Madrid-based conductor Lara Diloy returns to the pit of the Teatro de la Zarzuela to conduct two gems of the Spanish lyric repertoire: Federico Chueca&#8217;s <em>El bateo<\/em> and Ruperto Chap\u00ed&#8217;s <em>La revoltosa<\/em>. On this occasion, Lara Diloy shares musical direction with \u00d3liver D\u00edaz, in a new stage production directed by Juan Echanove.<\/p>\n\n\n\n<p>One of the most outstanding novelties of this production is the recovery of an unpublished fragment of La revoltosa, a tercet at the end of the first scene which was lost in 1897 and which, more than a century later, will be performed for the first time thanks to the work of the musicologist Enrique Mej\u00edas Garc\u00eda and the orchestration of Juan de Udaeta.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-container-2 wp-block-column\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Lara Diloy regresa al Teatro de la Zarzuela - Noticias 24 horas RTVE\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/qlIXVKGRjA4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption>Report by Hellen Perdomo for RTVE News 24 Hours<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p>On April 10th, Radio Cl\u00e1sica&#8217;s programme La D\u00e1rsena featured conductor Lara Diloy, interviewed on the occasion of her return to the Teatro de la Zarzuela, where she will conduct <em>El bateo<\/em> and <em>La revoltosa<\/em>. Throughout the conversation, the conductor shared reflections on her links with the theatre, her approach to the zarzuela repertoire and her current projects. The full interview can be heard at this link:<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.rtve.es\/play\/audios\/la-darsena\/lara-diloy-10-04-25\/16536277\/\" target=\"_blank\" rel=\"noreferrer noopener\">>> Listen to interview on <em>La D\u00e1rsena<\/em> (Radio Cl\u00e1sica)<\/a><\/strong><\/p>\n\n\n\n<p>On 12 April, on Radio Nacional de Espa\u00f1a&#8217;s programme No es un d\u00eda cualquiera, Lara Diloy and Gerardo Bull\u00f3n chatted with Pepa Fern\u00e1ndez and Jos\u00e9 Manuel Zapata about the double bill opening at the Teatro de la Zarzuela with <em>El bateo<\/em> and <em>La revoltosa<\/em>, two classics of the g\u00e9nero chico presented in a vibrant production.<\/p>\n\n\n\n<p><strong><a href=\"https:\/\/www.rtve.es\/play\/audios\/no-es-un-dia-cualquiera\/no-dia-cualquiera-buena-musica-para-gananes-gananas-nueva-produccion-del-teatro-zarzuela\/16536558\/\" target=\"_blank\" rel=\"noreferrer noopener\">>> Listen to interview on <em>No es un d\u00eda cualquiera<\/em> (Radio Nacional de Espa\u00f1a)<\/a><\/strong><\/p>\n\n\n\n<figure class=\"wp-container-5 wp-block-gallery-4 wp-block-gallery aligncenter has-nested-images columns-default is-cropped\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"500\" height=\"333\" src=\"https:\/\/www.laradiloy.com\/wp-content\/uploads\/2025\/04\/Lara-Diloy-El-bateo-500x333.jpg\" alt=\"\" class=\"wp-image-2505\" srcset=\"https:\/\/www.laradiloy.com\/wp-content\/uploads\/2025\/04\/Lara-Diloy-El-bateo-500x333.jpg 500w, https:\/\/www.laradiloy.com\/wp-content\/uploads\/2025\/04\/Lara-Diloy-El-bateo-300x200.jpg 300w, https:\/\/www.laradiloy.com\/wp-content\/uploads\/2025\/04\/Lara-Diloy-El-bateo-768x512.jpg 768w, https:\/\/www.laradiloy.com\/wp-content\/uploads\/2025\/04\/Lara-Diloy-El-bateo.jpg 1200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><figcaption>Photo: Gemma Escribano<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" width=\"500\" height=\"333\" src=\"https:\/\/www.laradiloy.com\/wp-content\/uploads\/2025\/04\/Lara-Diloy-La-revoltosa-500x333.jpg\" alt=\"\" class=\"wp-image-2507\" srcset=\"https:\/\/www.laradiloy.com\/wp-content\/uploads\/2025\/04\/Lara-Diloy-La-revoltosa-500x333.jpg 500w, https:\/\/www.laradiloy.com\/wp-content\/uploads\/2025\/04\/Lara-Diloy-La-revoltosa-300x200.jpg 300w, https:\/\/www.laradiloy.com\/wp-content\/uploads\/2025\/04\/Lara-Diloy-La-revoltosa-768x512.jpg 768w, https:\/\/www.laradiloy.com\/wp-content\/uploads\/2025\/04\/Lara-Diloy-La-revoltosa.jpg 1200w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><figcaption>Photo: Gemma Escribano<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p><\/p>\n\n<\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Madrid-based conductor Lara Diloy returns to the pit of the Teatro de la Zarzuela to conduct two gems of the Spanish lyric repertoire: Federico Chueca&#8217;s El bateo and Ruperto Chap\u00ed&#8217;s La revoltosa. On this occasion, Lara Diloy shares musical direction with \u00d3liver D\u00edaz, in a new stage production directed by Juan Echanove.<\/p>\n","protected":false},"author":1,"featured_media":2506,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[105],"tags":[],"_links":{"self":[{"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/posts\/2512"}],"collection":[{"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/comments?post=2512"}],"version-history":[{"count":3,"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/posts\/2512\/revisions"}],"predecessor-version":[{"id":2520,"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/posts\/2512\/revisions\/2520"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/media\/2506"}],"wp:attachment":[{"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/media?parent=2512"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/categories?post=2512"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.laradiloy.com\/en\/wp-json\/wp\/v2\/tags?post=2512"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}